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𝟭𝟬 𝗙𝗮𝘀𝗰𝗶𝗻𝗮𝘁𝗶𝗻𝗴 𝗙𝗮𝗰𝘁𝘀 𝗔𝗻𝗱 𝗟𝗲𝘀𝘀𝗲𝗿-𝗞𝗻𝗼𝘄𝗻 𝗦𝘁𝗼𝗿𝗶𝗲𝘀 𝗔𝗯𝗼𝘂𝘁 𝗖𝗮𝗺𝗶𝗹𝗹𝗲 𝗦𝗮𝗶𝗻𝘁-𝗦𝗮𝗲̈𝗻𝘀 𝟭. 𝗛𝗲 𝗪𝗮𝘀 𝗔 𝗖𝗵𝗶𝗹𝗱 𝗣𝗿𝗼𝗱𝗶𝗴𝘆 𝗢𝗳 𝗘𝘅𝘁𝗿𝗮𝗼𝗿𝗱𝗶𝗻𝗮𝗿𝘆 𝗚𝗲𝗻𝗶𝘂𝘀 By the age of 2, Saint-Saëns could already play melodies on the piano. At 10, he…

𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙 𝗔𝗡𝗗 𝗥𝗔𝗩𝗘𝗟 — 𝗧𝗪𝗢 𝗣𝗜𝗔𝗡𝗢 𝗪𝗢𝗥𝗟𝗗𝗦 𝗧𝗛𝗔𝗧 𝗔𝗣𝗣𝗔𝗥𝗘𝗡𝗧𝗟𝗬 𝗡𝗘𝗩𝗘𝗥 𝗠𝗘𝗧 The relationship between 𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝗳𝗳 and 𝗠𝗮𝘂𝗿𝗶𝗰𝗲 𝗥𝗮𝘃𝗲𝗹 presents a striking historical paradox. They were almost exact contemporaries, internationally celebrated composers and pianists,…

𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙 𝗔𝗡𝗗 𝗦𝗧𝗥𝗔𝗩𝗜𝗡𝗦𝗞𝗬 — 𝗧𝗪𝗢 𝗥𝗨𝗦𝗦𝗜𝗔𝗦, 𝗢𝗡𝗘 𝗝𝗔𝗥 𝗢𝗙 𝗛𝗢𝗡𝗘𝗬 Few encounters in twentieth-century music could have been more symbolically charged than those between 𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝗳𝗳 and 𝗜𝗴𝗼𝗿 𝗦𝘁𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆. Both were Russian exiles, internationally…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟮𝟬 𝗘𝘀𝘁𝗲𝗹𝗹𝗲 𝗢𝗻𝗰𝗲 𝗠𝗼𝗿𝗲: 𝗧𝗵𝗲 𝗔𝗳𝘁𝗲𝗿𝗴𝗹𝗼𝘄 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗦𝗶𝗹𝗲𝗻𝗰𝗲 𝗧𝗵𝗲 𝗖𝗵𝗮𝗶𝗿 𝗧𝗵𝗮𝘁 𝗪𝗮𝘀 𝗘𝗺𝗽𝘁𝘆 — 𝟭𝟴𝟰𝟴 When 𝗛𝗲𝗰𝘁𝗼𝗿 𝗕𝗲𝗿𝗹𝗶𝗼𝘇 returned to France from…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟮 𝗥𝗼𝗺𝗲, 𝗕𝗲𝘁𝗿𝗮𝘆𝗮𝗹, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗠𝗮𝗱 𝗝𝗼𝘂𝗿𝗻𝗲𝘆 𝗛𝗼𝗺𝗲 𝗧𝗵𝗲 𝗣𝗿𝗶𝘇𝗲 𝗧𝗵𝗮𝘁 𝗧𝗼𝗼𝗸 𝗛𝗶𝗺 𝗔𝘄𝗮𝘆 𝗙𝗿𝗼𝗺 𝗛𝗮𝗽𝗽𝗶𝗻𝗲𝘀𝘀 — 𝗟𝗮𝘁𝗲 𝟭𝟴𝟯𝟬–𝗘𝗮𝗿𝗹𝘆 𝟭𝟴𝟯𝟭 After five years of…

𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗕𝗔𝗥𝗢𝗤𝗨𝗘 𝗞𝗘𝗬𝗕𝗢𝗔𝗥𝗗 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗜𝗠𝗘 Selecting the greatest Baroque keyboard masterpieces requires a broader definition of “keyboard” than the modern piano repertoire usually implies. These works were written for harpsichord,…

𝗥𝗨𝗗𝗢𝗟𝗙 𝗕𝗨𝗖𝗛𝗕𝗜𝗡𝗗𝗘𝗥 — 𝗔 𝗟𝗜𝗙𝗘 𝗔𝗧 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀 𝗮𝗻𝗱 𝗗𝗲𝗰𝗶𝘀𝗶𝘃𝗲 𝗠𝗼𝗺𝗲𝗻𝘁𝘀 — 𝗖𝗵𝗿𝗼𝗻𝗼𝗹𝗼𝗴𝗶𝗰𝗮𝗹𝗹𝘆 𝗔𝗿𝗿𝗮𝗻𝗴𝗲𝗱 The life of 𝗥𝘂𝗱𝗼𝗹𝗳 𝗕𝘂𝗰𝗵𝗯𝗶𝗻𝗱𝗲𝗿 has been shaped by an unusual combination of precocious talent, Viennese musical tradition,…

𝗦𝗜𝗥 𝗧𝗛𝗢𝗠𝗔𝗦 𝗕𝗘𝗘𝗖𝗛𝗔𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir Thomas Beecham was one of the most charismatic, cultivated and immediately recognisable conductors of the twentieth century. His interpretations rarely depended upon severity, intellectual demonstration…

𝗪𝗜𝗟𝗛𝗘𝗟𝗠 𝗙𝗨𝗥𝗧𝗪𝗔̈𝗡𝗚𝗟𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Wilhelm Furtwängler remains one of the most powerful, individual and controversial conductors preserved on record. His interpretations were founded not upon literal regularity but upon organic growth,…

𝗘𝗥𝗜𝗖𝗛 𝗞𝗟𝗘𝗜𝗕𝗘𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Erich Kleiber was one of the great representatives of the Central European conducting tradition, yet he never belonged comfortably to any single school. His performances combined rhythmic…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟵 𝗔 “𝗖𝗢𝗡𝗦𝗧𝗔𝗡𝗧 𝗦𝗔𝗗𝗡𝗘𝗦𝗦” ════════════════════════════ 𝗧𝗛𝗘 𝗗𝗢𝗪𝗡𝗪𝗔𝗥𝗗 𝗧𝗨𝗥𝗡 After 𝗧𝗵𝗲 𝗝𝗼𝘂𝗿𝗻𝗲𝘆 𝘁𝗼 𝗕𝗲𝗿𝗹𝗶𝗻, Solomon brings the narrative into one of the most painful zones of Mozart’s adult…

𝗠𝗢𝗭𝗔𝗥𝗧: 𝗔 𝗟𝗜𝗙𝗘 𝗠𝗔𝗬𝗡𝗔𝗥𝗗 𝗦𝗢𝗟𝗢𝗠𝗢𝗡 𝗘𝗡𝗗𝗜𝗡𝗚𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮𝟴 𝗧𝗛𝗘 𝗝𝗢𝗨𝗥𝗡𝗘𝗬 𝗧𝗢 𝗕𝗘𝗥𝗟𝗜𝗡 ════════════════════════════ 𝗧𝗛𝗘 𝗢𝗟𝗗 𝗜𝗡𝗦𝗧𝗜𝗡𝗖𝗧 𝗧𝗢 𝗧𝗔𝗞𝗘 𝗧𝗢 𝗧𝗛𝗘 𝗥𝗢𝗔𝗗 After 𝗣𝗿𝗮𝗴𝘂𝗲 𝗮𝗻𝗱 𝗕𝗲𝘆𝗼𝗻𝗱, Solomon turns to one of the strangest and most…

𝗧𝗘𝗡 𝗨𝗡𝗝𝗨𝗦𝗧𝗟𝗬 𝗨𝗡𝗗𝗘𝗥𝗩𝗔𝗟𝗨𝗘𝗗 𝗢𝗣𝗘𝗥𝗔𝗦 𝗜𝗡 𝗠𝗨𝗦𝗜𝗖 𝗛𝗜𝗦𝗧𝗢𝗥𝗬 The operatic repertory is not a neutral museum of masterpieces. It is the result of institutional tradition, language, economics, star singers, political history, editorial availability and theatrical…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗘𝗣𝗜𝗟𝗢𝗚𝗨𝗘 𝗕𝗮𝗰𝗵 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗜𝗱𝗲𝗮 𝗼𝗳 “𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗣𝗲𝗿𝗳𝗲𝗰𝘁𝗶𝗼𝗻” 𝗧𝗵𝗲 𝗟𝗲𝗮𝗿𝗻𝗲𝗱 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗣𝘂𝗿𝘀𝘂𝗶𝘁 𝗼𝗳 𝗣𝗲𝗿𝗳𝗲𝗰𝘁𝗶𝗼𝗻 At the end of Johann Sebastian Bach’s life, the…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟵 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 𝗮𝗻𝗱 𝗦𝗰𝗵𝗼𝗹𝗮𝗿 𝗖𝗼𝘂𝗻𝘁𝗲𝗿𝗽𝗼𝗶𝗻𝘁 𝗼𝗳 𝗣𝗿𝗮𝗰𝘁𝗶𝗰𝗲 𝗮𝗻𝗱 𝗧𝗵𝗲𝗼𝗿𝘆 𝗕𝗮𝗰𝗵 𝗶𝗻 𝗟𝗲𝗶𝗽𝘇𝗶𝗴: 𝗣𝗲𝗿𝗳𝗼𝗿𝗺𝗲𝗿, 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿, 𝗧𝗲𝗮𝗰𝗵𝗲𝗿, 𝗦𝗰𝗵𝗼𝗹𝗮𝗿, 𝗮𝗻𝗱 𝗠𝗮𝘀𝘁𝗲𝗿 𝗼𝗳 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗧𝗵𝗼𝘂𝗴𝗵𝘁 After the first…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟴 𝗥𝗲𝗱𝗲𝗳𝗶𝗻𝗶𝗻𝗴 𝗮 𝗩𝗲𝗻𝗲𝗿𝗮𝗯𝗹𝗲 𝗢𝗳𝗳𝗶𝗰𝗲 𝗖𝗮𝗻𝘁𝗼𝗿 𝗮𝗻𝗱 𝗠𝘂𝘀𝗶𝗰 𝗗𝗶𝗿𝗲𝗰𝘁𝗼𝗿 𝗶𝗻 𝗟𝗲𝗶𝗽𝘇𝗶𝗴: 𝗧𝗵𝗲 𝟭𝟳𝟮𝟬𝘀 𝗧𝗵𝗲 𝗖𝗮𝗻𝘁𝗼𝗿 𝗪𝗵𝗼 𝗔𝗿𝗿𝗶𝘃𝗲𝗱 𝗮𝘀 𝗮 𝗖𝗮𝗽𝗲𝗹𝗹𝗺𝗲𝗶𝘀𝘁𝗲𝗿: 𝗖𝗮𝗻𝘁𝗮𝘁𝗮𝘀, 𝗦𝗰𝗵𝗼𝗼𝗹, 𝗖𝗶𝘁𝘆, 𝗮𝗻𝗱…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟳 𝗣𝘂𝗿𝘀𝘂𝗶𝗻𝗴 “𝘁𝗵𝗲 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗖𝗼𝗻𝘁𝗲𝘀𝘁 𝗳𝗼𝗿 𝗦𝘂𝗽𝗲𝗿𝗶𝗼𝗿𝗶𝘁𝘆” 𝗖𝗮𝗽𝗲𝗹𝗹𝗺𝗲𝗶𝘀𝘁𝗲𝗿 𝗶𝗻 𝗖𝗼̈𝘁𝗵𝗲𝗻, 𝟭𝟳𝟭𝟳–𝟭𝟳𝟮𝟯 𝗧𝗵𝗲 𝗖𝗼̈𝘁𝗵𝗲𝗻 𝗬𝗲𝗮𝗿𝘀: 𝗣𝗿𝗶𝗻𝗰𝗲𝗹𝘆 𝗣𝗮𝘁𝗿𝗼𝗻𝗮𝗴𝗲, 𝗜𝗻𝘀𝘁𝗿𝘂𝗺𝗲𝗻𝘁𝗮𝗹 𝗠𝗮𝘀𝘁𝗲𝗿𝘆, 𝗧𝗿𝗮𝘃𝗲𝗹𝘀, 𝗟𝗼𝘀𝘀, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗖𝗮𝗻𝗼𝗻 𝗼𝗳…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟱 𝗘𝘅𝗽𝗹𝗼𝗿𝗶𝗻𝗴 “𝗘𝘃𝗲𝗿𝘆 𝗣𝗼𝘀𝘀𝗶𝗯𝗹𝗲 𝗔𝗿𝘁𝗶𝘀𝘁𝗿𝘆” 𝗖𝗼𝘂𝗿𝘁 𝗢𝗿𝗴𝗮𝗻𝗶𝘀𝘁 𝗮𝗻𝗱 𝗖𝗮𝗺𝗺𝗲𝗿 𝗠𝘂𝘀𝗶𝗰𝘂𝘀 𝗶𝗻 𝗪𝗲𝗶𝗺𝗮𝗿, 𝟭𝟳𝟬𝟴–𝟭𝟳𝟭𝟰 𝗪𝗲𝗶𝗺𝗮𝗿: 𝗧𝗵𝗲 𝗣𝗹𝗮𝗰𝗲 𝗪𝗵𝗲𝗿𝗲 𝗕𝗮𝗰𝗵 𝗕𝗲𝗰𝗮𝗺𝗲 𝗕𝗮𝗰𝗵 When Johann Sebastian Bach…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟰 𝗕𝘂𝗶𝗹𝗱𝗶𝗻𝗴 𝗮 𝗥𝗲𝗽𝘂𝘁𝗮𝘁𝗶𝗼𝗻 𝗢𝗿𝗴𝗮𝗻𝗶𝘀𝘁 𝗶𝗻 𝗔𝗿𝗻𝘀𝘁𝗮𝗱𝘁 𝗮𝗻𝗱 𝗠𝘂̈𝗵𝗹𝗵𝗮𝘂𝘀𝗲𝗻, 𝟭𝟳𝟬𝟯–𝟭𝟳𝟬𝟴 𝗙𝗿𝗼𝗺 𝗬𝗼𝘂𝗻𝗴 𝗩𝗶𝗿𝘁𝘂𝗼𝘀𝗼 𝘁𝗼 𝗣𝘂𝗯𝗹𝗶𝗰 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 Between 𝟭𝟳𝟬𝟯 and 𝟭𝟳𝟬𝟴, Johann Sebastian Bach passed…

𝗧𝗛𝗢𝗠𝗔𝗦 𝗦𝗔𝗡𝗗𝗘𝗥𝗟𝗜𝗡𝗚 — 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗪𝗛𝗢 𝗕𝗘𝗖𝗔𝗠𝗘 𝗢𝗡𝗘 𝗢𝗙 𝗧𝗛𝗘 𝗟𝗔𝗦𝗧 𝗟𝗜𝗩𝗜𝗡𝗚 𝗕𝗥𝗜𝗗𝗚𝗘𝗦 𝗧𝗢 𝗦𝗛𝗢𝗦𝗧𝗔𝗞𝗢𝗩𝗜𝗖𝗛 𝗜. 𝗕𝗢𝗥𝗡 𝗜𝗡 𝗘𝗫𝗜𝗟𝗘: 𝗧𝗛𝗘 𝗦𝗔𝗡𝗗𝗘𝗥𝗟𝗜𝗡𝗚 𝗡𝗔𝗠𝗘 𝗧𝗵𝗼𝗺𝗮𝘀 𝗦𝗮𝗻𝗱𝗲𝗿𝗹𝗶𝗻𝗴 was born on 𝟮 𝗢𝗰𝘁𝗼𝗯𝗲𝗿 𝟭𝟵𝟰𝟮, generally given as 𝗡𝗼𝘃𝗼𝘀𝗶𝗯𝗶𝗿𝘀𝗸,…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟯 𝗕𝘆𝗽𝗮𝘀𝘀𝗶𝗻𝗴 𝗮 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗔𝗽𝗽𝗿𝗲𝗻𝘁𝗶𝗰𝗲𝘀𝗵𝗶𝗽 𝗙𝗿𝗼𝗺 𝗟𝘂̈𝗻𝗲𝗯𝘂𝗿𝗴 𝘁𝗼 𝗪𝗲𝗶𝗺𝗮𝗿, 𝟭𝟳𝟬𝟬–𝟭𝟳𝟬𝟯 𝗧𝗵𝗲 𝗬𝗼𝘂𝗻𝗴 𝗕𝗮𝗰𝗵 𝗕𝗲𝘆𝗼𝗻𝗱 𝗧𝗵𝘂𝗿𝗶𝗻𝗴𝗶𝗮: 𝗦𝘁𝘂𝗱𝘆, 𝗩𝗼𝗶𝗰𝗲, 𝗢𝗿𝗴𝗮𝗻, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗦𝗶𝗴𝗻𝘀 𝗼𝗳 𝗮…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟮 𝗟𝗮𝘆𝗶𝗻𝗴 𝘁𝗵𝗲 𝗙𝗼𝘂𝗻𝗱𝗮𝘁𝗶𝗼𝗻𝘀 𝗢𝗵𝗿𝗱𝗿𝘂𝗳, 𝟭𝟲𝟵𝟱–𝟭𝟳𝟬𝟬 𝗢𝗿𝗽𝗵𝗮𝗻𝗵𝗼𝗼𝗱, 𝗗𝗶𝘀𝗰𝗶𝗽𝗹𝗶𝗻𝗲, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗙𝗼𝘂𝗻𝗱𝗮𝘁𝗶𝗼𝗻𝘀 𝗼𝗳 𝗮 𝗟𝗲𝗮𝗿𝗻𝗲𝗱 𝗠𝘂𝘀𝗶𝗰𝗶𝗮𝗻 The second chapter of Johann Sebastian Bach’s life…

𝗝𝗢𝗛𝗔𝗡𝗡 𝗦𝗘𝗕𝗔𝗦𝗧𝗜𝗔𝗡 𝗕𝗔𝗖𝗛 — 𝗧𝗛𝗘 𝗟𝗘𝗔𝗥𝗡𝗘𝗗 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡 𝗖𝗛𝗥𝗜𝗦𝗧𝗢𝗣𝗛 𝗪𝗢𝗟𝗙𝗙 𝗣𝗥𝗢𝗟𝗢𝗚𝗨𝗘 𝗕𝗮𝗰𝗵 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗡𝗼𝘁𝗶𝗼𝗻 𝗼𝗳 “𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗦𝗰𝗶𝗲𝗻𝗰𝗲” 𝗣𝗼𝘀𝘁 𝟭.𝟯 — 𝗧𝗵𝗲 𝗖𝗲𝗻𝘁𝗿𝗮𝗹 𝗜𝗺𝗮𝗴𝗲 𝗼𝗳 𝗕𝗮𝗰𝗵 The image of Johann Sebastian Bach that emerges from…

𝗙𝗟𝗢𝗥𝗘𝗡𝗖𝗘 𝗠𝗔𝗬 — 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦 𝗩𝗢𝗟𝗨𝗠𝗘 𝗜𝗜 — 𝗙𝗜𝗡𝗔𝗟 𝗖𝗔𝗧𝗔𝗟𝗢𝗚𝗨𝗘 𝗣𝗢𝗦𝗧 𝗧𝗵𝗲 𝗪𝗼𝗿𝗸𝘀 𝗔𝘀 𝗧𝗵𝗲 𝗙𝗶𝗻𝗮𝗹 𝗕𝗶𝗼𝗴𝗿𝗮𝗽𝗵𝘆 𝗢𝗳 𝗕𝗿𝗮𝗵𝗺𝘀 After the death of 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀, Florence May’s biography changes its nature.…