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𝐉𝐎𝐀𝐂𝐇𝐈𝐌 𝐑𝐀𝐅𝐅 𝐖𝐀𝐒 𝐎𝐍𝐂𝐄 𝐌𝐎𝐑𝐄 𝐅𝐀𝐌𝐎𝐔𝐒 𝐓𝐇𝐀𝐍 𝐁𝐑𝐀𝐇𝐌𝐒... 𝐓𝐇𝐄𝐍 𝐓𝐇𝐄 𝐖𝐎𝐑𝐋𝐃 𝐅𝐎𝐑𝐆𝐎𝐓 𝐇𝐈𝐌 One of the nineteenth century's most admired composers almost disappeared from concert halls. When 𝐉𝐨𝐚𝐜𝐡𝐢𝐦 𝐑𝐚𝐟𝐟 (𝟏𝟖𝟐𝟐–𝟏𝟖𝟖𝟐) was at the height…

𝗦𝗧𝗥𝗔𝗩𝗜𝗡𝗦𝗞𝗬 𝗔𝗡𝗗 𝗥𝗔𝗩𝗘𝗟 — 𝗙𝗥𝗢𝗠 𝗠𝗨𝗧𝗨𝗔𝗟 𝗗𝗜𝗦𝗖𝗢𝗩𝗘𝗥𝗬 𝗧𝗢 𝗔 𝗖𝗢𝗢𝗟𝗜𝗡𝗚 𝗢𝗙 𝗧𝗪𝗢 𝗠𝗢𝗗𝗘𝗥𝗡 𝗠𝗔𝗦𝗧𝗘𝗥𝗦 The relationship between 𝗜𝗴𝗼𝗿 𝗦𝘁𝗿𝗮𝘃𝗶𝗻𝘀𝗸𝘆 and 𝗠𝗮𝘂𝗿𝗶𝗰𝗲 𝗥𝗮𝘃𝗲𝗹 was one of the most significant artistic friendships of the years immediately…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟭 𝗧𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 𝗼𝗳 𝗢𝗯𝘀𝗲𝘀𝘀𝗶𝗼𝗻: 𝗙𝗿𝗼𝗺 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝘁𝗼 𝘁𝗵𝗲 𝗙𝗮𝗻𝘁𝗮𝘀𝘁𝗶𝗾𝘂𝗲 𝗧𝗵𝗲 𝗪𝗼𝗺𝗮𝗻 𝗪𝗵𝗼 𝗛𝗮𝗱 𝗕𝗲𝗰𝗼𝗺𝗲 𝗮 𝗠𝘂𝘀𝗶𝗰𝗮𝗹 𝗩𝗶𝘀𝗶𝗼𝗻 — 𝟭𝟴𝟮𝟳–𝟭𝟴𝟮𝟵 After seeing 𝗛𝗮𝗿𝗿𝗶𝗲𝘁 𝗦𝗺𝗶𝘁𝗵𝘀𝗼𝗻…

𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩 — 𝗔𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗣𝗼𝘀𝘁 𝟮𝟱 — 𝗧𝗵𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝗶𝗰 𝗣𝗼𝗲𝗺, 𝘁𝗵𝗲 𝗙𝗮𝘂𝘀𝘁 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆, 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗗𝗮𝗻𝘁𝗲 𝗦𝘆𝗺𝗽𝗵𝗼𝗻𝘆 The question of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗮𝘀 𝗰𝗼𝗺𝗽𝗼𝘀𝗲𝗿 cannot be answered only from the piano. The piano…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩𝗜 — 𝗠𝗶𝗿𝗿𝗼𝗿𝗲𝗱 𝗯𝘆 𝗛𝗶𝘀 𝗖𝗼𝗻𝘁𝗲𝗺𝗽𝗼𝗿𝗮𝗿𝗶𝗲𝘀 𝗣𝗼𝘀𝘁 𝟮𝟰 — 𝗪𝗼𝗺𝗲𝗻 𝗪𝗵𝗼 𝗥𝗲𝗺𝗲𝗺𝗯𝗲𝗿𝗲𝗱 𝗟𝗶𝘀𝘇𝘁, 𝟭𝟴𝟯𝟬𝘀–𝟭𝟴𝟴𝟬𝘀 The memory of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 was preserved not only by critics, composers, pupils, and…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗩 — 𝗔𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿 𝗣𝗼𝘀𝘁 𝟮𝟬 — 𝗟𝗶𝘀𝘇𝘁 𝗮𝘀 𝗖𝗼𝗺𝗽𝗼𝘀𝗲𝗿: 𝗧𝗵𝗲 𝗚𝗿𝗲𝗮𝘁 𝗤𝘂𝗲𝘀𝘁𝗶𝗼𝗻 The central question surrounding 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 as a composer has always been difficult, almost uncomfortable:…

𝗠𝗔𝗛𝗟𝗘𝗥 𝗝𝗢𝗦𝗘 𝗟𝗨𝗜𝗦 𝗣𝗘𝗥𝗘𝗭 𝗗𝗘 𝗔𝗥𝗧𝗘𝗔𝗚𝗔 𝗣𝗢𝗦𝗧 𝟵 𝗧𝗵𝗲 𝗪𝗮𝗻𝗱𝗲𝗿𝗶𝗻𝗴 𝗞𝗮𝗽𝗲𝗹𝗹𝗺𝗲𝗶𝘀𝘁𝗲𝗿 𝗙𝗿𝗼𝗺 𝗕𝗮𝗱 𝗛𝗮𝗹𝗹 𝘁𝗼 𝗢𝗹𝗺𝘂𝘁𝘇: 𝗧𝗵𝗲 𝗛𝗮𝗿𝘀𝗵 𝗔𝗽𝗽𝗿𝗲𝗻𝘁𝗶𝗰𝗲𝘀𝗵𝗶𝗽 𝗼𝗳 𝗮 𝗖𝗼𝗻𝗱𝘂𝗰𝘁𝗼𝗿 When 𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 completed his student years in Vienna, his future profession…

𝗕𝗘𝗬𝗢𝗡𝗗 𝗧𝗛𝗘 𝗚𝗥𝗘𝗔𝗧 𝗠𝗘𝗟𝗢𝗗𝗜𝗘𝗦: 𝗧𝗛𝗘 𝗖𝗢𝗠𝗣𝗢𝗦𝗘𝗥𝗦 𝗪𝗛𝗢 𝗦𝗛𝗔𝗣𝗘𝗗 𝗥𝗔𝗖𝗛𝗠𝗔𝗡𝗜𝗡𝗢𝗙𝗙’𝗦 𝗠𝗨𝗦𝗜𝗖𝗔𝗟 𝗪𝗢𝗥𝗟𝗗 The music of 𝗦𝗲𝗿𝗴𝗲𝗶 𝗥𝗮𝗰𝗵𝗺𝗮𝗻𝗶𝗻𝗼𝗳𝗳 is instantly recognizable: long-breathed melodies, darkly glowing harmonies, immense climaxes, tolling bells, dense piano textures and an almost…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜 — 𝗔𝘀𝗽𝗲𝗰𝘁𝘀 𝗼𝗳 𝗛𝗶𝘀 𝗔𝗿𝘁 𝗮𝗻𝗱 𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗣𝗼𝘀𝘁 𝟭𝟰 — 𝗟𝗶𝘀𝘇𝘁 𝗮𝗻𝗱 𝗖𝗵𝗼𝗽𝗶𝗻 The relationship between 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 and 𝗙𝗿é𝗱é𝗿𝗶𝗰 𝗖𝗵𝗼𝗽𝗶𝗻 was one of the most fascinating…

𝗗𝗜𝗠𝗜𝗧𝗥𝗜 𝗠𝗜𝗧𝗥𝗢𝗣𝗢𝗨𝗟𝗢𝗦 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Dimitri Mitropoulos was one of the most intense, selfless and visionary conductors of the twentieth century. He conducted without a baton, frequently without a score and with…

𝗛𝗘𝗥𝗠𝗔𝗡𝗡 𝗦𝗖𝗛𝗘𝗥𝗖𝗛𝗘𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Hermann Scherchen was one of the most radical, intellectually adventurous and unpredictable conductors of the twentieth century. He cannot be classified simply as a specialist in modern…

𝗞𝗨𝗥𝗧 𝗠𝗔𝗦𝗨𝗥 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Kurt Masur was sometimes characterised as a sober, traditional conductor: dependable, serious, architecturally disciplined and resistant to interpretative eccentricity. Such descriptions are not entirely wrong, but they…

𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 𝗕𝘆 𝗝𝗮𝗺𝗲𝘀 𝗛𝘂𝗻𝗲𝗸𝗲𝗿 𝗖𝗵𝗮𝗽𝘁𝗲𝗿 𝗜𝗜 — 𝗔𝘀𝗽𝗲𝗰𝘁𝘀 𝗼𝗳 𝗛𝗶𝘀 𝗔𝗿𝘁 𝗮𝗻𝗱 𝗖𝗵𝗮𝗿𝗮𝗰𝘁𝗲𝗿 𝗣𝗼𝘀𝘁 𝟭𝟮 — 𝗟𝗶𝘀𝘇𝘁 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗟𝗮𝗱𝗶𝗲𝘀 The legend of 𝗙𝗿𝗮𝗻𝘇 𝗟𝗶𝘀𝘇𝘁 as a musical Don Juan is one of…

𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗪𝗢𝗥𝗞𝗦 𝗔𝗡𝗗 𝗖𝗬𝗖𝗟𝗘𝗦 𝗙𝗢𝗥 𝗦𝗢𝗟𝗢 𝗣𝗜𝗔𝗡𝗢 𝗢𝗙 𝗔𝗟𝗟 𝗧𝗜𝗠𝗘 𝗔 𝗥𝗘𝗩𝗜𝗦𝗘𝗗 𝗔𝗡𝗗 𝗘𝗫𝗣𝗔𝗡𝗗𝗘𝗗 𝗦𝗘𝗟𝗘𝗖𝗧𝗜𝗢𝗡 Selecting the fifteen greatest achievements in solo piano literature cannot be reduced to choosing fifteen isolated compositions.…

𝗔𝗡𝗧𝗔𝗟 𝗗𝗢𝗥𝗔́𝗧𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Antal Doráti was one of the most versatile and industrious conductors of the twentieth century, but mere productivity does not explain his importance. His finest recordings reveal…

𝗥𝗨𝗗𝗢𝗟𝗙 𝗕𝗨𝗖𝗛𝗕𝗜𝗡𝗗𝗘𝗥 — 𝗔 𝗟𝗜𝗙𝗘 𝗔𝗧 𝗧𝗛𝗘 𝗣𝗜𝗔𝗡𝗢 𝗔𝗻𝗲𝗰𝗱𝗼𝘁𝗲𝘀, 𝗖𝘂𝗿𝗶𝗼𝘀𝗶𝘁𝗶𝗲𝘀 𝗮𝗻𝗱 𝗗𝗲𝗰𝗶𝘀𝗶𝘃𝗲 𝗠𝗼𝗺𝗲𝗻𝘁𝘀 — 𝗖𝗵𝗿𝗼𝗻𝗼𝗹𝗼𝗴𝗶𝗰𝗮𝗹𝗹𝘆 𝗔𝗿𝗿𝗮𝗻𝗴𝗲𝗱 The life of 𝗥𝘂𝗱𝗼𝗹𝗳 𝗕𝘂𝗰𝗵𝗯𝗶𝗻𝗱𝗲𝗿 has been shaped by an unusual combination of precocious talent, Viennese musical tradition,…

# 𝗪𝗵𝗲𝗻 𝗚𝗲𝗻𝗶𝘂𝘀 𝗞𝗻𝗼𝗰𝗸𝗲𝗱 𝗮𝘁 𝘁𝗵𝗲 𝗗𝗼𝗼𝗿 — 𝗧𝗵𝗲 𝗙𝗶𝗿𝘀𝘁 𝗠𝗲𝗲𝘁𝗶𝗻𝗴 𝗼𝗳 𝗝𝗼𝗵𝗮𝗻𝗻𝗲𝘀 𝗕𝗿𝗮𝗵𝗺𝘀 𝗮𝗻𝗱 𝗥𝗼𝗯𝗲𝗿𝘁 𝗦𝗰𝗵𝘂𝗺𝗮𝗻𝗻 Few encounters in the history of Western music produced consequences as immediate and far-reaching as the first…

𝗥𝗜𝗖𝗖𝗔𝗥𝗗𝗢 𝗠𝗨𝗧𝗜 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Riccardo Muti is one of the defining conductors of the modern Italian tradition: a musician of rhythmic authority, textual discipline, theatrical instinct and uncompromising respect for the…

𝗦𝗜𝗥 𝗧𝗛𝗢𝗠𝗔𝗦 𝗕𝗘𝗘𝗖𝗛𝗔𝗠 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Sir Thomas Beecham was one of the most charismatic, cultivated and immediately recognisable conductors of the twentieth century. His interpretations rarely depended upon severity, intellectual demonstration…

𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 Hector Berlioz occupies a unique place in nineteenth-century music. He was neither a conventional symphonist in the Beethovenian tradition nor principally a composer of absolute music. His greatest creations…

𝗟𝗘𝗢𝗡𝗔𝗥𝗗 𝗕𝗘𝗥𝗡𝗦𝗧𝗘𝗜𝗡 — 𝗧𝗛𝗘 𝟭𝟱 𝗚𝗥𝗘𝗔𝗧𝗘𝗦𝗧 𝗥𝗘𝗖𝗢𝗥𝗗𝗜𝗡𝗚𝗦 Leonard Bernstein left one of the most extensive, varied and immediately recognisable recorded legacies of the twentieth century. He was not only a conductor but also a…

𝗝𝗢𝗛𝗔𝗡𝗡𝗘𝗦 𝗕𝗥𝗔𝗛𝗠𝗦’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗚𝗘𝗡𝗜𝗨𝗦 𝗪𝗛𝗢 𝗧𝗨𝗥𝗡𝗘𝗗 𝗠𝗘𝗠𝗢𝗥𝗬 𝗜𝗡𝗧𝗢 𝗙𝗢𝗥𝗠 Johannes Brahms is often portrayed as the great conservative of nineteenth-century music: the guardian of Classical form, the heir of Bach,…

𝗧𝗖𝗛𝗔𝗜𝗞𝗢𝗩𝗦𝗞𝗬’𝗦 𝗧𝗘𝗡 𝗧𝗥𝗨𝗘 𝗠𝗔𝗦𝗧𝗘𝗥𝗣𝗜𝗘𝗖𝗘𝗦 — 𝗧𝗛𝗘 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗣𝗔𝗦𝗦𝗜𝗢𝗡, 𝗙𝗔𝗧𝗘 𝗔𝗡𝗗 𝗧𝗛𝗘 𝗛𝗨𝗠𝗔𝗡 𝗛𝗘𝗔𝗥𝗧 Pyotr Ilyich Tchaikovsky is often presented as the supreme composer of emotional immediacy: the creator of unforgettable melodies, tragic symphonies,…

𝗦𝗖𝗛𝗨𝗠𝗔𝗡𝗡 — 𝗘𝗥𝗜𝗖 𝗙𝗥𝗘𝗗𝗘𝗥𝗜𝗖𝗞 𝗝𝗘𝗡𝗦𝗘𝗡 𝗧𝗛𝗘 𝗠𝗔𝗦𝗧𝗘𝗥 𝗠𝗨𝗦𝗜𝗖𝗜𝗔𝗡𝗦 — 𝗢𝗫𝗙𝗢𝗥𝗗 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗜𝗧𝗬 𝗣𝗥𝗘𝗦𝗦 𝗖𝗛𝗔𝗣𝗧𝗘𝗥 𝟭𝟭 — 𝗧𝗛𝗘 𝗬𝗘𝗔𝗥𝗦 𝗜𝗡 𝗗𝗥𝗘𝗦𝗗𝗘𝗡 𝗧𝗛𝗘 𝗖𝗜𝗧𝗬 𝗧𝗛𝗔𝗧 𝗪𝗔𝗦 𝗡𝗢𝗧 𝗔 𝗛𝗢𝗠𝗘 When Robert and Clara Schumann left Leipzig for…