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𝗠𝗔𝗛𝗟𝗘𝗥: 𝗘𝗔𝗖𝗛 𝗦𝗬𝗠𝗣𝗛𝗢𝗡𝗬 𝗔 𝗨𝗡𝗜𝗩𝗘𝗥𝗦𝗘 To say that each Mahler symphony is a world is not a decorative phrase. It is one of the few formulas that comes close to the truth. In Mahler’s…

𝐌𝐨𝐳𝐚𝐫𝐭 - 𝐓𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬 - 𝐂𝐡𝐫𝐢𝐬𝐭𝐨𝐩𝐡𝐞𝐫 𝐇𝐨𝐠𝐰𝐨𝐨𝐝, 𝐉𝐚𝐚𝐩 𝐒𝐜𝐡𝐫𝐨𝐞𝐝𝐞𝐫, 𝐓𝐡𝐞 𝐀𝐜𝐚𝐝𝐞𝐦𝐲 𝐨𝐟 𝐀𝐧𝐜𝐢𝐞𝐧𝐭 𝐌𝐮𝐬𝐢𝐜 https://www.patreon.com/posts/mozart-hogwood-138363908?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=postshare_creator&utm_content=join_link 𝐌𝐨𝐳𝐚𝐫𝐭 𝐑𝐞𝐛𝐨𝐫𝐧: 𝐖𝐡𝐲 𝐓𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬 𝐛𝐲 𝐂𝐡𝐫𝐢𝐬𝐭𝐨𝐩𝐡𝐞𝐫 𝐇𝐨𝐠𝐰𝐨𝐨𝐝, 𝐉𝐚𝐚𝐩 𝐒𝐜𝐡𝐫ö𝐝𝐞𝐫, 𝐚𝐧𝐝 𝐓𝐡𝐞 𝐀𝐜𝐚𝐝𝐞𝐦𝐲 𝐨𝐟 𝐀𝐧𝐜𝐢𝐞𝐧𝐭 𝐌𝐮𝐬𝐢𝐜 𝐢𝐬 𝐚 𝐥𝐚𝐧𝐝𝐦𝐚𝐫𝐤…

## **𝗠𝗢𝗭𝗔𝗥𝗧 𝗜𝗡 𝗦𝗪𝗔𝗙𝗙𝗢𝗥𝗗’𝗦 𝗕𝗜𝗢𝗚𝗥𝗔𝗣𝗛𝗬 — Chapter 5 — Liars, Slanderers, and Envious Creatures** **1) Salzburg After the Grand Tour: Spoils, Secrecy, and Leopold’s Next Calculations** After returning to Salzburg in **November 1766**, Leopold…

𝐂𝐇𝐀𝐑𝐋𝐄𝐒-𝐕𝐀𝐋𝐄𝐍𝐓𝐈𝐍 𝐀𝐋𝐊𝐀𝐍 — 𝐓𝐇𝐄 𝐌𝐘𝐒𝐓𝐄𝐑𝐈𝐎𝐔𝐒 𝐓𝐈𝐓𝐀𝐍 𝐎𝐅 𝐓𝐇𝐄 𝐏𝐈𝐀𝐍𝐎: 𝐆𝐄𝐍𝐈𝐔𝐒, 𝐈𝐒𝐎𝐋𝐀𝐓𝐈𝐎𝐍 𝐀𝐍𝐃 𝐋𝐄𝐆𝐄𝐍𝐃 𝐈. 𝐁𝐈𝐑𝐓𝐇 𝐀𝐍𝐃 𝐄𝐀𝐑𝐋𝐘 𝐏𝐑𝐎𝐃𝐈𝐆𝐘 (1813–1826) 𝐂𝐡𝐚𝐫𝐥𝐞𝐬-𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧 𝐀𝐥𝐤𝐚𝐧 (1813–1888) was born on 30 November 1813 in Paris, into a Jewish musical…

𝐀𝐍𝐓𝐀𝐋 𝐃𝐎𝐑𝐀𝐓𝐈 — 𝐅𝐑𝐎𝐌 𝐁𝐔𝐃𝐀𝐏𝐄𝐒𝐓 𝐏𝐑𝐎𝐃𝐈𝐆𝐘 𝐓𝐎 𝐁𝐀𝐋𝐋𝐄𝐓 𝐅𝐈𝐑𝐄𝐁𝐑𝐀𝐍𝐃: 𝐓𝐇𝐄 𝐅𝐎𝐑𝐆𝐈𝐍𝐆 𝐎𝐅 𝐀 𝐌𝐀𝐄𝐒𝐓𝐑𝐎 (𝟏𝟗𝟎𝟔–𝟏𝟗𝟑𝟎) 𝐀 𝐂𝐇𝐈𝐋𝐃 𝐎𝐅 𝐓𝐇𝐄 𝐁𝐔𝐃𝐀𝐏𝐄𝐒𝐓 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐌𝐈𝐋𝐈𝐄𝐔 (𝟏𝟗𝟎𝟔–𝟏𝟗𝟏𝟒) 𝐀𝐧𝐭𝐚𝐥 𝐃𝐨𝐫𝐚𝐭𝐢 (1906–1988) was born on 9 April 1906 in Budapest,…

𝐁𝐄𝐋𝐀 𝐁𝐀𝐑𝐓𝐎𝐊 — 𝐓𝐇𝐄 𝐅𝐈𝐄𝐑𝐂𝐄 𝐘𝐎𝐔𝐍𝐆 𝐑𝐄𝐁𝐄𝐋 𝐖𝐇𝐎 𝐅𝐎𝐑𝐆𝐄𝐃 𝐀 𝐍𝐄𝐖 𝐌𝐔𝐒𝐈𝐂𝐀𝐋 𝐋𝐀𝐍𝐆𝐔𝐀𝐆𝐄 (𝟏𝟖𝟖𝟏–𝟏𝟗𝟎𝟓) 𝐀 𝐂𝐇𝐈𝐋𝐃 𝐎𝐅 𝐒𝐈𝐋𝐄𝐍𝐂𝐄 𝐀𝐍𝐃 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐈𝐍𝐄 (𝟏𝟖𝟖𝟏–𝟏𝟖𝟖𝟖) 𝐁𝐞𝐥𝐚 𝐕𝐢𝐤𝐭𝐨𝐫 𝐉𝐚𝐧𝐨𝐬 𝐁𝐚𝐫𝐭𝐨𝐤 (1881–1945) was born on 25 March 1881 in Nagyszentmiklos,…

𝐁𝐄𝐋𝐀 𝐁𝐀𝐑𝐓𝐎𝐊 — 𝐓𝐇𝐄 𝐅𝐎𝐋𝐊 𝐀𝐋𝐂𝐇𝐄𝐌𝐈𝐒𝐓 𝐖𝐇𝐎 𝐑𝐄𝐈𝐍𝐕𝐄𝐍𝐓𝐄𝐃 𝐌𝐎𝐃𝐄𝐑𝐍 𝐌𝐔𝐒𝐈𝐂 (𝟏𝟖𝟖𝟏–𝟏𝟗𝟒𝟓) 𝐈. 𝐀 𝐏𝐑𝐎𝐃𝐈𝐆𝐘 𝐅𝐑𝐎𝐌 𝐍𝐀𝐆𝐘𝐒𝐙𝐄𝐍𝐓𝐌𝐈𝐊𝐋𝐎𝐒 (𝟏𝟖𝟖𝟏–𝟏𝟖𝟗𝟗) 𝐁𝐞𝐥𝐚 𝐕𝐢𝐤𝐭𝐨𝐫 𝐉𝐚𝐧𝐨𝐬 𝐁𝐚𝐫𝐭𝐨𝐤 (1881–1945) was born on 25 March 1881 in Nagyszentmiklos, then in the Kingdom…

𝐑𝐎𝐁𝐄𝐑𝐓 𝐊𝐀𝐉𝐀𝐍𝐔𝐒 — 𝐓𝐇𝐄 𝐀𝐑𝐂𝐇𝐈𝐓𝐄𝐂𝐓 𝐎𝐅 𝐅𝐈𝐍𝐍𝐈𝐒𝐇 𝐌𝐔𝐒𝐈𝐂: 𝐌𝐀𝐒𝐓𝐄𝐑𝐒, 𝐃𝐈𝐒𝐂𝐈𝐏𝐋𝐄𝐒 𝐀𝐍𝐃 𝐓𝐇𝐄 𝐑𝐈𝐒𝐄 𝐎𝐅 𝐀 𝐍𝐀𝐓𝐈𝐎𝐍 (𝟏𝟖𝟓𝟔–𝟏𝟗𝟑𝟑) 𝐀 𝐘𝐎𝐔𝐍𝐆 𝐅𝐈𝐍𝐍 𝐋𝐎𝐎𝐊𝐈𝐍𝐆 𝐓𝐎 𝐄𝐔𝐑𝐎𝐏𝐄 When 𝐑𝐨𝐛𝐞𝐫𝐭 𝐊𝐚𝐣𝐚𝐧𝐮𝐬 (1856–1933) was born in Helsingfors on 2 December…

𝐇𝐚𝐲𝐝𝐧 – 𝐂𝐨𝐦𝐩𝐥𝐞𝐭𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐞𝐬 – 𝐀𝐮𝐝𝐢𝐨 𝐂𝐨𝐥𝐥𝐞𝐜𝐭𝐢𝐨𝐧: https://www.patreon.com/collection/2025866 𝐇𝐀𝐘𝐃𝐍’𝐒 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐈𝐄𝐒: 𝐓𝐇𝐄 𝐅𝐎𝐔𝐍𝐃𝐀𝐓𝐈𝐎𝐍 𝐎𝐅 𝐓𝐇𝐄 𝐂𝐋𝐀𝐒𝐒𝐈𝐂𝐀𝐋 𝐎𝐑𝐂𝐇𝐄𝐒𝐓𝐑𝐀 𝐈. 𝐇𝐚𝐲𝐝𝐧 𝐚𝐬 𝐭𝐡𝐞 𝐂𝐫𝐞𝐚𝐭𝐨𝐫 𝐨𝐟 𝐭𝐡𝐞 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐜 𝐅𝐨𝐫𝐦 Joseph Haydn’s contribution to the symphony is without parallel…

# **Samuel Scheidt (1587–1654)** Samuel Scheidt completes the celebrated trio of early German Baroque masters often called the **“Three S’s” — Schütz, Schein, and Scheidt**. If Schütz brought Italian dramatic expression to sacred music…

# **Francesco Antonio Bonporti (1672–1749)** **Francesco Antonio Bonporti** was an Italian Baroque composer and priest whose music became surprisingly influential—especially through its later association with **Johann Sebastian Bach**, who studied and even copied some…

𝗚𝘂𝘀𝘁𝗮𝘃 𝗠𝗮𝗵𝗹𝗲𝗿 𝗮𝗻𝗱 𝘁𝗵𝗲 𝗕𝗮𝗿𝗼𝗾𝘂𝗲 𝗧𝗿𝗮𝗱𝗶𝘁𝗶𝗼𝗻 The relationship between Gustav Mahler and Baroque music is one of the most fascinating historical paradoxes in music history. At first glance, it may seem unlikely: Mahler stands…

𝐓𝐡𝐞 𝐒𝐨𝐮𝐫𝐜𝐞𝐬 𝐨𝐟 𝐈𝐧𝐬𝐩𝐢𝐫𝐚𝐭𝐢𝐨𝐧 𝐚𝐧𝐝 𝐈𝐧𝐟𝐥𝐮𝐞𝐧𝐜𝐞𝐬 𝐢𝐧 𝐁𝐫𝐚𝐡𝐦𝐬’𝐬 𝐏𝐢𝐚𝐧𝐨 𝐌𝐮𝐬𝐢𝐜 𝐓𝐫𝐚𝐝𝐢𝐭𝐢𝐨𝐧, 𝐓𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐏𝐨𝐞𝐭𝐢𝐜 𝐈𝐧𝐭𝐞𝐫𝐢𝐨𝐫 𝐖𝐨𝐫𝐥𝐝 Johannes Brahms stands among the greatest composers for the piano, yet his keyboard writing is unique in…

𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧’𝐬 𝐋𝐞𝐠𝐚𝐜𝐲 𝐢𝐧 𝐁𝐫𝐚𝐡𝐦𝐬’𝐬 𝐌𝐮𝐬𝐢𝐜 𝐅𝐫𝐨𝐦 “𝐓𝐡𝐞 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧 𝐏𝐫𝐨𝐛𝐥𝐞𝐦” 𝐭𝐨 𝐚 𝐏𝐞𝐫𝐬𝐨𝐧𝐚𝐥 𝐒𝐲𝐦𝐩𝐡𝐨𝐧𝐢𝐜 𝐕𝐨𝐢𝐜𝐞 Johannes Brahms lived under a shadow that was both inspiring and terrifying: the presence of Ludwig van Beethoven as the…

𝐓𝐡𝐞 𝐁𝐚𝐫𝐨𝐪𝐮𝐞 𝐋𝐞𝐠𝐚𝐜𝐲 𝐢𝐧 𝐁𝐫𝐚𝐡𝐦𝐬’𝐬 𝐌𝐮𝐬𝐢𝐜 𝐂𝐨𝐮𝐧𝐭𝐞𝐫𝐩𝐨𝐢𝐧𝐭, 𝐕𝐚𝐫𝐢𝐚𝐭𝐢𝐨𝐧, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐑𝐞𝐯𝐢𝐯𝐚𝐥 𝐨𝐟 𝐁𝐚𝐫𝐨𝐪𝐮𝐞 𝐓𝐡𝐢𝐧𝐤𝐢𝐧𝐠 𝐢𝐧 𝐭𝐡𝐞 𝐑𝐨𝐦𝐚𝐧𝐭𝐢𝐜 𝐄𝐫𝐚 Johannes Brahms is often described as the great Classical Romantic, a composer who stood apart from…

𝐓𝐡𝐞 𝐁𝐚𝐫𝐨𝐪𝐮𝐞 𝐋𝐞𝐠𝐚𝐜𝐲 𝐢𝐧 𝐇𝐚𝐲𝐝𝐧’𝐬 𝐌𝐮𝐬𝐢𝐜 𝐅𝐫𝐨𝐦 𝐋𝐞𝐚𝐫𝐧𝐞𝐝 𝐂𝐨𝐮𝐧𝐭𝐞𝐫𝐩𝐨𝐢𝐧𝐭 𝐭𝐨 𝐂𝐥𝐚𝐬𝐬𝐢𝐜𝐚𝐥 𝐀𝐫𝐜𝐡𝐢𝐭𝐞𝐜𝐭𝐮𝐫𝐞 Joseph Haydn stands at the heart of the Classical style, yet his musical language grew directly out of the Baroque world that…

𝐓𝐡𝐞 𝐁𝐚𝐫𝐨𝐪𝐮𝐞 𝐋𝐞𝐠𝐚𝐜𝐲 𝐢𝐧 𝐁𝐞𝐞𝐭𝐡𝐨𝐯𝐞𝐧’𝐬 𝐌𝐮𝐬𝐢𝐜 𝐂𝐨𝐮𝐧𝐭𝐞𝐫𝐩𝐨𝐢𝐧𝐭, 𝐌𝐨𝐧𝐮𝐦𝐞𝐧𝐭𝐚𝐥𝐢𝐭𝐲, 𝐚𝐧𝐝 𝐭𝐡𝐞 𝐑𝐞𝐛𝐢𝐫𝐭𝐡 𝐨𝐟 𝐭𝐡𝐞 𝐏𝐚𝐬𝐭 The relationship between Beethoven and the Baroque tradition is one of the most fascinating continuities in the history of music.…

𝐓𝐡𝐞 𝐁𝐚𝐫𝐨𝐪𝐮𝐞 𝐋𝐞𝐠𝐚𝐜𝐲 𝐢𝐧 𝐌𝐨𝐳𝐚𝐫𝐭’𝐬 𝐌𝐮𝐬𝐢𝐜 𝐀 𝐝𝐞𝐞𝐩 𝐞𝐱𝐩𝐥𝐨𝐫𝐚𝐭𝐢𝐨𝐧 𝐨𝐟 𝐬𝐭𝐲𝐥𝐢𝐬𝐭𝐢𝐜 𝐢𝐧𝐡𝐞𝐫𝐢𝐭𝐚𝐧𝐜𝐞, 𝐭𝐫𝐚𝐧𝐬𝐟𝐨𝐫𝐦𝐚𝐭𝐢𝐨𝐧, 𝐚𝐧𝐝 𝐬𝐲𝐧𝐭𝐡𝐞𝐬𝐢𝐬 The history of Western music is not a sequence of ruptures but a chain of transformations. Few composers embody…

𝗧𝗲𝗹𝗲𝗺𝗮𝗻𝗻 — 𝘁𝗵𝗲 𝗳𝗿𝗶𝗲𝗻𝗱 𝗼𝗳 𝗕𝗮𝗰𝗵, 𝗮 𝗿𝗶𝘃𝗮𝗹 𝗼𝗳 𝗛𝗮𝗻𝗱𝗲𝗹, 𝗮𝗻𝗱 𝗮 𝗽𝗶𝗼𝗻𝗲𝗲𝗿 𝗼𝗳 𝘁𝗵𝗲 𝗺𝗼𝗱𝗲𝗿𝗻 𝘀𝘁𝘆𝗹𝗲. Among the great German masters of the Baroque, 𝗚𝗲𝗼𝗿𝗴 𝗣𝗵𝗶𝗹𝗶𝗽𝗽 𝗧𝗲𝗹𝗲𝗺𝗮𝗻𝗻 (1681–1767) occupies a uniquely fascinating position.…

𝗝.𝗦. 𝗕𝗮𝗰𝗵 𝗶𝗻 𝗰𝗼𝗺𝗽𝗮𝗿𝗶𝘀𝗼𝗻 𝘄𝗶𝘁𝗵 𝗛𝗮𝗻𝗱𝗲𝗹 𝗮𝗻𝗱 𝗧𝗲𝗹𝗲𝗺𝗮𝗻𝗻 The spiritual architect of Baroque music Among the three great German Baroque masters — 𝗝𝗼𝗵𝗮𝗻𝗻 𝗦𝗲𝗯𝗮𝘀𝘁𝗶𝗮𝗻 𝗕𝗮𝗰𝗵, 𝗚𝗲𝗼𝗿𝗴 𝗙𝗿𝗶𝗱𝗲𝗿𝗶𝗰 𝗛𝗮𝗻𝗱𝗲𝗹, and 𝗚𝗲𝗼𝗿𝗴 𝗣𝗵𝗶𝗹𝗶𝗽𝗽 𝗧𝗲𝗹𝗲𝗺𝗮𝗻𝗻, Bach represents…

# **CHURCH MUSIC (V)** **(Book: **Mozart, His Character, His Work by Alfred Einstein**)** ## The C-minor Mass in Context: Between Bach and Beethoven It has been said—entirely rightly—that this unfinished Mass stands **midway between…

# **THE PIANO CONCERTO (III)(Book: **Mozart, His Character, His Work by Alfred Einstein**)** ## I. The Culmination of the Winter of 1784: The G-major Piano Concerto, K. 453 The remarkable series of keyboard concertos…

# **CHURCH MUSIC (IV)** **(Book: **Mozart, His Character, His Work by Alfred Einstein**)** ## A Necessary “Revolution” in Mozart’s Inner and Professional Life So what, then, actually happened? A revolution had to occur simultaneously…

# **Four-Hand Works and the Highest Form of Concertante Dialogue (Book:** Mozart, His Character, His Work by Alfred Einstein) The most striking examples of concert style we find in Mozart’s four-hand works for one…