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𝐓𝐂𝐇𝐀𝐈𝐊𝐎𝐕𝐒𝐊𝐘 𝐀𝐍𝐃 𝐒𝐀𝐈𝐍𝐓-𝐒𝐀𝐄̈𝐍𝐒: 𝐅𝐑𝐈𝐄𝐍𝐃𝐒𝐇𝐈𝐏, 𝐀𝐃𝐌𝐈𝐑𝐀𝐓𝐈𝐎𝐍 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐑𝐘 𝐁𝐄𝐓𝐖𝐄𝐄𝐍 𝐓𝐖𝐎 𝐆𝐄𝐍𝐈𝐔𝐒𝐄𝐒 The relationship between Pyotr Ilyich Tchaikovsky and Camille Saint-Saëns was one of the most fascinating personal encounters between two major European composers of the…

𝐖𝐎𝐉𝐂𝐈𝐄𝐂𝐇 𝐆𝐑𝐙𝐘𝐌𝐀Ł𝐀 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐅𝐑𝐈𝐄𝐍𝐃, 𝐂𝐎𝐍𝐅𝐈𝐃𝐀𝐍𝐓 𝐀𝐍𝐃 𝐀𝐃𝐕𝐈𝐒𝐄𝐑 𝐈𝐍 𝐏𝐀𝐑𝐈𝐒 The figure of 𝐖𝐨𝐣𝐜𝐢𝐞𝐜𝐡 𝐆𝐫𝐳𝐲𝐦𝐚ł𝐚 occupies a far more important place in the life of Fryderyk Chopin than his relative absence from popular biographies…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟕 — 𝐀 𝐌𝐎𝐒𝐓 𝐓𝐑𝐔𝐒𝐓𝐄𝐃 𝐂𝐎𝐍𝐅𝐈𝐃𝐀𝐍𝐓 𝐖𝐎𝐘𝐂𝐈𝐄𝐂𝐇 𝐆𝐑𝐙𝐘𝐌𝐀Ł𝐀 Among the many people who entered…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟔 — 𝐌𝐎𝐉𝐀 𝐁𝐈𝐄𝐃𝐀 𝐌𝐀𝐑𝐈𝐀 𝐖𝐎𝐃𝐙𝐈Ń𝐒𝐊𝐀 Among all the women who entered 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧’s…

𝐀𝐔𝐆𝐔𝐒𝐓𝐄 𝐅𝐑𝐀𝐍𝐂𝐇𝐎𝐌𝐌𝐄 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐂𝐄𝐋𝐋𝐈𝐒𝐓, 𝐂𝐎𝐋𝐋𝐀𝐁𝐎𝐑𝐀𝐓𝐎𝐑 𝐀𝐍𝐃 𝐂𝐋𝐎𝐒𝐄 𝐅𝐑𝐈𝐄𝐍𝐃 Auguste-Joseph Franchomme (1808–1884) was one of the most distinguished French cellists of the nineteenth century and, above all, one of Frédéric Chopin’s closest musical friends…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈𝐈 — 𝐓𝐇𝐄 𝐏𝐀𝐑𝐈𝐒 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟑𝟏–𝟏𝟖𝟒𝟗 The move to Paris changed almost every external circumstance of Fryderyk Chopin’s life. Warsaw had…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟒 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 “𝐋𝐎𝐕𝐄” 𝐊𝐎𝐍𝐒𝐓𝐀𝐍𝐂𝐉𝐀 𝐆Ł𝐀𝐃𝐊𝐎𝐖𝐒𝐊𝐀 In 𝐀𝐩𝐫𝐢𝐥 𝟏𝟖𝟐𝟗, when 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 was…

𝐒𝐂𝐇𝐔𝐌𝐀𝐍𝐍 — 𝐒𝐘𝐌𝐏𝐇𝐎𝐍𝐘 𝐍𝐎. 𝟏 𝐈𝐍 𝐁-𝐅𝐋𝐀𝐓 𝐌𝐀𝐉𝐎𝐑, 𝐎𝐏. 𝟑𝟖, “𝐒𝐏𝐑𝐈𝐍𝐆” En Castellano lo puedes encontrar en la página Compositores de Música Clásica : https://www.facebook.com/share/p/1TtKdvuXVL/ Robert Schumann’s First Symphony represents one of the most…

𝐉Ó𝐙𝐄𝐅 𝐄𝐋𝐒𝐍𝐄𝐑 𝐀𝐍𝐃 𝐅𝐑𝐘𝐃𝐄𝐑𝐘𝐊 𝐂𝐇𝐎𝐏𝐈𝐍 — 𝐓𝐇𝐄 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 𝐖𝐇𝐎 𝐑𝐄𝐂𝐎𝐆𝐍𝐈𝐙𝐄𝐃 𝐀 𝐆𝐄𝐍𝐈𝐔𝐒 Józef Elsner (1769–1854) was one of the decisive figures in Chopin’s artistic formation. Strictly speaking, Elsner was primarily a composer, conductor, theorist…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟑 — 𝐌𝐔𝐒𝐈𝐂 𝐓𝐄𝐀𝐂𝐇𝐄𝐑 𝐀𝐍𝐃 𝐌𝐄𝐍𝐓𝐎𝐑 𝐉Ó𝐙𝐄𝐅 𝐄𝐋𝐒𝐍𝐄𝐑 When 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧 completed his piano…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐅𝐑𝐈𝐄𝐍𝐃𝐒, 𝐋𝐎𝐕𝐄𝐑𝐒, 𝐀𝐍𝐃 𝐑𝐈𝐕𝐀𝐋𝐒 𝐁𝐘 𝐏𝐈𝐄𝐑𝐑𝐄 𝐇. 𝐀𝐙𝐎𝐔𝐑𝐘 𝐏𝐀𝐑𝐓 𝐈 — 𝐓𝐇𝐄 𝐖𝐀𝐑𝐒𝐀𝐖 𝐘𝐄𝐀𝐑𝐒, 𝟏𝟖𝟏𝟎–𝟏𝟖𝟑𝟎 𝐂𝐇𝐀𝐏𝐓𝐄𝐑 𝟐 — 𝐓𝐇𝐄 𝐅𝐈𝐑𝐒𝐓 𝐈𝐍𝐓𝐈𝐌𝐀𝐓𝐄 𝐅𝐑𝐈𝐄𝐍𝐃𝐒 𝐉𝐀𝐍 𝐁𝐈𝐀Ł𝐎𝐁Ł𝐎𝐂𝐊𝐈, 𝐉𝐀𝐍 𝐌𝐀𝐓𝐔𝐒𝐙𝐘Ń𝐒𝐊𝐈, 𝐉𝐔𝐋𝐈𝐀𝐍 𝐅𝐎𝐍𝐓𝐀𝐍𝐀, 𝐀𝐍𝐃 𝐓𝐘𝐓𝐔𝐒…

𝐓𝐘𝐓𝐔𝐒 𝐖𝐎𝐘𝐂𝐈𝐄𝐂𝐇𝐎𝐖𝐒𝐊𝐈 — 𝐂𝐇𝐎𝐏𝐈𝐍’𝐒 𝐂𝐋𝐎𝐒𝐄𝐒𝐓 𝐅𝐑𝐈𝐄𝐍𝐃 𝐓𝐲𝐭𝐮𝐬 𝐖𝐨𝐲𝐜𝐢𝐞𝐜𝐡𝐨𝐰𝐬𝐤𝐢 (1808–1879) was a Polish nobleman, industrialist and patron of the arts, but he is remembered above all as 𝐅𝐫𝐲𝐝𝐞𝐫𝐲𝐤 𝐂𝐡𝐨𝐩𝐢𝐧’𝐬 most trusted childhood friend. The two…

𝐂𝐇𝐎𝐏𝐈𝐍 𝐓𝐇𝐑𝐎𝐔𝐆𝐇 𝐓𝐇𝐄 𝐄𝐘𝐄𝐒 𝐎𝐅 𝐇𝐈𝐒 𝐂𝐎𝐍𝐓𝐄𝐌𝐏𝐎𝐑𝐀𝐑𝐈𝐄𝐒 𝐁𝐈𝐁𝐋𝐈𝐎𝐆𝐑𝐀𝐏𝐇𝐈𝐂𝐀𝐋 𝐈𝐍𝐅𝐎𝐑𝐌𝐀𝐓𝐈𝐎𝐍 Original title: 𝐂𝐡𝐨𝐩𝐢𝐧 𝐓𝐡𝐫𝐨𝐮𝐠𝐡 𝐇𝐢𝐬 𝐂𝐨𝐧𝐭𝐞𝐦𝐩𝐨𝐫𝐚𝐫𝐢𝐞𝐬: 𝐅𝐫𝐢𝐞𝐧𝐝𝐬, 𝐋𝐨𝐯𝐞𝐫𝐬, 𝐚𝐧𝐝 𝐑𝐢𝐯𝐚𝐥𝐬 Author: 𝐏𝐢𝐞𝐫𝐫𝐞 𝐇. 𝐀𝐳𝐨𝐮𝐫𝐲 First published: 𝐈𝐧 𝟏𝟗𝟗𝟗 Publisher: 𝐆𝐫𝐞𝐞𝐧𝐰𝐨𝐨𝐝 𝐏𝐫𝐞𝐬𝐬, Westport, Connecticut, and London…

𝐒𝐄𝐑𝐆𝐈𝐔 𝐂𝐄𝐋𝐈𝐁𝐈𝐃𝐀𝐂𝐇𝐄 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐑𝐄𝐅𝐔𝐒𝐄𝐃 𝐓𝐎 𝐓𝐔𝐑𝐍 𝐌𝐔𝐒𝐈𝐂 𝐈𝐍𝐓𝐎 𝐀 𝐏𝐄𝐑𝐌𝐀𝐍𝐄𝐍𝐓 𝐎𝐁𝐉𝐄𝐂𝐓 Sergiu Celibidache was one of the most original, demanding and controversial conductors of the twentieth century. Although he possessed the…

𝐄𝐔𝐆𝐄𝐍 𝐉𝐎𝐂𝐇𝐔𝐌 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐄𝐗𝐏𝐄𝐑𝐈𝐄𝐍𝐂𝐄𝐃 𝐁𝐑𝐔𝐂𝐊𝐍𝐄𝐑 𝐀𝐒 𝐀 𝐒𝐏𝐈𝐑𝐈𝐓𝐔𝐀𝐋 𝐉𝐎𝐔𝐑𝐍𝐄𝐘 For Eugen Jochum, Anton Bruckner’s symphonies were far more than monumental constructions designed to display the splendour of a great orchestra. He…

𝐋𝐄𝐎𝐍𝐀𝐑𝐃 𝐁𝐄𝐑𝐍𝐒𝐓𝐄𝐈𝐍 — 𝐓𝐇𝐄 𝐌𝐀𝐍 𝐖𝐇𝐎 𝐂𝐎𝐔𝐋𝐃 𝐄𝐗𝐏𝐋𝐀𝐈𝐍 𝐌𝐔𝐒𝐈𝐂 𝐋𝐈𝐊𝐄 𝐍𝐎 𝐎𝐍𝐄 𝐄𝐋𝐒𝐄 Leonard Bernstein possessed a gift that was almost as remarkable as his ability to conduct and compose: he could explain how…

𝐎𝐓𝐓𝐎 𝐊𝐋𝐄𝐌𝐏𝐄𝐑𝐄𝐑 — 𝐓𝐇𝐄 𝐁𝐑𝐀𝐈𝐍 𝐓𝐔𝐌𝐎𝐔𝐑 𝐓𝐇𝐀𝐓 𝐍𝐄𝐀𝐑𝐋𝐘 𝐄𝐍𝐃𝐄𝐃 𝐇𝐈𝐒 𝐂𝐀𝐑𝐄𝐄𝐑 Otto Klemperer’s life was marked not only by exceptional musical achievement, but also by illness, exile, physical disability and repeated personal catastrophe. Among…

𝐇𝐄𝐑𝐁𝐄𝐑𝐓 𝐕𝐎𝐍 𝐊𝐀𝐑𝐀𝐉𝐀𝐍 — 𝐓𝐇𝐄 𝐑𝐄𝐋𝐄𝐍𝐓𝐋𝐄𝐒𝐒 𝐏𝐔𝐑𝐒𝐔𝐈𝐓 𝐎𝐅 𝐏𝐄𝐑𝐅𝐄𝐂𝐓𝐈𝐎𝐍 Herbert von Karajan approached an orchestral rehearsal not as a routine preparation for a concert, but as the laboratory in which an interpretation had to…

## 𝐀𝐑𝐓𝐔𝐑𝐎 𝐓𝐎𝐒𝐂𝐀𝐍𝐈𝐍𝐈 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐂𝐀𝐑𝐑𝐈𝐄𝐃 𝐓𝐇𝐄 𝐒𝐂𝐎𝐑𝐄 𝐈𝐍 𝐇𝐈𝐒 𝐌𝐈𝐍𝐃 Arturo Toscanini became legendary for stepping onto the podium and conducting vast symphonies, operas and choral works **entirely from memory**. To…

𝐖𝐈𝐋𝐇𝐄𝐋𝐌 𝐅𝐔𝐑𝐓𝐖Ä𝐍𝐆𝐋𝐄𝐑 — 𝐖𝐇𝐘 𝐄𝐕𝐄𝐑𝐘 𝐏𝐄𝐑𝐅𝐎𝐑𝐌𝐀𝐍𝐂𝐄 𝐇𝐀𝐃 𝐓𝐎 𝐁𝐄 𝐔𝐍𝐈𝐐𝐔𝐄 Wilhelm Furtwängler did not believe that a musical masterpiece could be reproduced like a finished object. For him, a score was not a set…

𝐂𝐀𝐑𝐋𝐎𝐒 𝐊𝐋𝐄𝐈𝐁𝐄𝐑 — 𝐓𝐇𝐄 𝐂𝐎𝐍𝐃𝐔𝐂𝐓𝐎𝐑 𝐖𝐇𝐎 𝐌𝐀𝐃𝐄 𝐄𝐕𝐄𝐑𝐘 𝐀𝐏𝐏𝐄𝐀𝐑𝐀𝐍𝐂𝐄 𝐀𝐍 𝐄𝐕𝐄𝐍𝐓 Carlos Kleiber occupies an almost unique position in the history of conducting. He never directed a major orchestra for decades in the manner…

𝗥𝗢𝗚𝗘𝗥 𝗡𝗢𝗥𝗥𝗜𝗡𝗚𝗧𝗢𝗡: 𝗧𝗛𝗘 𝗖𝗢𝗡𝗗𝗨𝗖𝗧𝗢𝗥 𝗪𝗛𝗢 𝗧𝗥𝗜𝗘𝗗 𝗧𝗢 𝗦𝗧𝗥𝗜𝗣 𝗥𝗢𝗠𝗔𝗡𝗧𝗜𝗖 𝗠𝗨𝗦𝗜𝗖 𝗢𝗙 𝗜𝗧𝗦 𝗥𝗢𝗠𝗔𝗡𝗖𝗘 Few conductors have divided the musical world as violently as 𝗦𝗶𝗿 𝗥𝗼𝗴𝗲𝗿 𝗡𝗼𝗿𝗿𝗶𝗻𝗴𝘁𝗼𝗻. To his admirers, he was a visionary who…

𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗧𝗛𝗘 𝗟𝗜𝗙𝗘 𝗢𝗙 𝗛𝗘𝗖𝗧𝗢𝗥 𝗕𝗘𝗥𝗟𝗜𝗢𝗭 𝗔𝗦 𝗪𝗥𝗜𝗧𝗧𝗘𝗡 𝗕𝗬 𝗛𝗜𝗠𝗦𝗘𝗟𝗙 𝗣𝗢𝗦𝗧 𝟭𝟴 𝗔 𝗣𝗿𝗼𝗽𝗵𝗲𝘁 𝗔𝗯𝗿𝗼𝗮𝗱: 𝗚𝗲𝗿𝗺𝗮𝗻𝘆, 𝗛𝘂𝗻𝗴𝗮𝗿𝘆, 𝗥𝘂𝘀𝘀𝗶𝗮, 𝗮𝗻𝗱 𝗟𝗼𝗻𝗱𝗼𝗻 𝗪𝗵𝗲𝗻 𝗣𝗮𝗿𝗶𝘀 𝗖𝗼𝘂𝗹𝗱 𝗡𝗼 𝗟𝗼𝗻𝗴𝗲𝗿 𝗕𝗲…

𝐅𝐑𝐄𝐃𝐄𝐑𝐈𝐂𝐊 𝐃𝐄𝐋𝐈𝐔𝐒 𝐋𝐎𝐒𝐓 𝐇𝐈𝐒 𝐒𝐈𝐆𝐇𝐓... 𝐁𝐔𝐓 𝐍𝐄𝐕𝐄𝐑 𝐒𝐓𝐎𝐏𝐏𝐄𝐃 𝐂𝐎𝐌𝐏𝐎𝐒𝐈𝐍𝐆 𝐅𝐑𝐄𝐃𝐄𝐑𝐈𝐂𝐊 𝐃𝐄𝐋𝐈𝐔𝐒 𝐋𝐎𝐒𝐓 𝐇𝐈𝐒 𝐒𝐈𝐆𝐇𝐓... 𝐁𝐔𝐓 𝐍𝐄𝐕𝐄𝐑 𝐒𝐓𝐎𝐏𝐏𝐄𝐃 𝐂𝐎𝐌𝐏𝐎𝐒𝐈𝐍𝐆 One of Britain's most original composers created some of his greatest masterpieces after becoming almost completely…